WORKSHOPS:
Two-Week Documentary Workshop - Mississippi Delta
Start Date: February 14th, 2010
This 2-week HDV workshop is designed for photojournalists who are looking to make the move to videojournalism and the web, new documentary filmmakers who want to launch their careers in web and television documentaries and for those with experience in some aspects of film making that are looking to expand their skill, understanding and mastery of the whole process. Producers, cinematographers, editors and writers with narrative experience who are considering working in non-fiction film making are also encouraged to enroll.
Students will learn all aspects of the process including the importance of the still image, HDV camera, compact lighting methods, field sound, field editing and how to weave the story. To view an extended version of the course description, visit our website at barefootworkshops.org
This is one of many workshops that Barefoot will be running in 2009. In addition to the Mississippi Delta, check out our website to learn more about our workshops in Africa and how you can participate.
Homepage: barefootworkshops.org
Contact: chandler@barefootworkshops.org
Tuition: $2,350.00 (includes tuition, housing and food)
Instructors: Chandler Griffin, Julie Winokur, Teddy Symes and Yoni Brook
Past Equipment Sponsors: Apple, Canon, Tekserve, B&H, Bogen, Gitzo, Kata, Tiffen, Sennheiser, Glyph, G-Tech, Litepanels, Anton Bauer, Lowel, D&M Professional
Barefoot Workshops is a New York City-based not-for-profit 501(c)3, founded by Chandler Griffin in 2004, that offers short, intensive workshops around the world in narrative and documentary filmmaking. We assist organizations and individuals to use media, music and the arts, to accelerate progress and program goals in areas such as cancer, HIV/AIDS, conflict resolution, resettlement, youth empowerment, civil rights, and democracy building. We have worked with partners as diverse as UNESCO, Desmond Tutu HIV Foundation, The U.S. State Department and The Middle East Partnership Initiative (MEPI), to pioneer new formats and “media templates” that reinforce citizen-led, community-owned solutions to these challenges.
The main goal of Barefoot Workshops is to equip students with the knowledge and confidence to use sophisticated equipment while having a foundation that allows a person to create beautiful images regardless of the tools. At Barefoot, growing and learning as a filmmaker means growing and learning as an individual
You have an item you want to mention in this spot? Email me at richardkocihernandez@gmail.com
7 Responses
Sweet baby-Jesus, I too am extremely lucky!
Isn’t it great!
Of course, it’s more skill and hard work that is the source of your success.
You deserve it!
Positive cosmological vibes man! Positive cosmological vibes!
[...] I have the Canon 5D MKII in my Hands!!!!!! ..and I can’t wait to see what Richard Koci Hernandez (congrats on the Emmy, BTW), does with it. He writes, “We have just turned a HUGE corner in visual story telling tools!” Related: SIon Touhig’s If Your Pictures Ain’t Good Enough, Your Mike Ain’t Close Enough. [...]
OK. Do give us the details, Richard! The advertising/art-directed commercial Michael shot was nice but would really like to see how a camera like this helps an everyday, editorial shooter do platypus work. Particularly interested in how the audio capture works and what the issues are with that – Is there an XLR in? Is there a decent preamp? One or two channel of audio.
As you know – high definition audio is more important than hi-def pictures.
Do give it a go and let us know!
Congrats on the new gig!
Oh, and if this kit works well for VJ work I may be finally ready to e-bay my Nikon F3’s fast fixed focal length glass and my full wet darkroom and all of the beautiful relics of my NIkon-loving past.
Looks like Nikon will never catch up. Canon has so many decades of video experience behind them now.
Still love my A1U for picture stories but miss my SLR for taking REAL photos.
ok, i think i’m still under my NDA, but this is what i will say right now. No XLR, but it has a mini jack. i’ve hooked up a wireless mic system to the camera and let my subject run free, awesome audio quality. No way to monitor the audio, no levels or headphone jack. a bit of a minus, but i have to fail on getting good audio with an external mic hooked up. built in mic sucks, of course. AF and live preview mode to focus are a bit difficult, more on that later. BUT the best damn thing about this is the quality of the low light footage. it’s truly unreal! It wouldn’t surprise me if Hollywood adopted this as a b-cam for low light hard to reaches places to light or set up a big rig.
I’ve been crazy busy, only now getting to really play with this puppy.
more to come…
-r
The headphone jack was something I was wondering about. I know it doesn’t have one but it does have an audio/video 3.5mm output, which is what my Canon Elura 100 has. I am able to stick my headphones just over half way into the A/V out jack and I pick up the audio without the horrible video noise. There are also some easy to make converters that take out the video noise on the A/V out jack and just leave the clean audio. Here is a thread on the subject about the Elura 100, the converters are discussed in the last two posts. (I’m sure there are other sites out there that go into more detail)
http://www.istockphoto.com/forum_messages.php?threadid=69780
I don’t know if the same fix will work with the 5D, but I really hope it does. (Don’t feel obligated to reply if it conflicts with your NDA)
Brad
And then there was colour.. and it was a brilliant colour and Ricahard went out and produced one of the kick a**e features for 2008.
You lucky geeza, but unequivocally well deserved,
Now what’s the date we should put down to see this…. no pressure :)
d
p.s oh a belated great to have you back